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Showing posts with label Accademia Bizantina. Show all posts
Showing posts with label Accademia Bizantina. Show all posts
Tuesday, March 15, 2011

Handel - Organ Concertos, Op.4: Ottavio Dantone, Accademia Bizantina


eac-rip: flac-img, cue, log, complete scans. rar, 3% rec.
1 CD - 378MB
DECCA - 2009 - 478 1465


 ...I was not only blown away by the playing of Dantone and the Academia Bizantina, but the way that their playing in turn transforms these works into an event. Their playing is energetic, bold and crisp without being dry: textures are very clear but without sounding thin or losing any momentum. Handel's preeminence as an opera composer comes to the fore in these versions more than the others I've heard, giving us truly dramatic effects and a real sense of interaction between the players, with Dantone's organ center stage. More so than any other performance of Handel's keyboard works (by the above mentioned soloists as well as Paul Nicholson's disc of harpsichord sonatas), this disc crystallized the idea of Handel the virtuoso shredding away at the keyboard...

01. Concerto No.3 in G minor, HWV291 - I. Improvvisazione - Adagio 06:19
02. Concerto No.3 in G minor, HWV291 - II. Allegro 03:32
03. Concerto No.3 in G minor, HWV291 - III. Adagio 01:28
04. Concerto No.3 in G minor, HWV291 - IV. Allegro (Gavotte) 01:52
05. Concerto No.2 in B flat major, HWV290 - I. Sinfonia a tempo ordinario e staccato - Adagio 01:06
06. Concerto No.2 in B flat major, HWV290 - II. Allegro 05:41
07. Concerto No.2 in B flat major, HWV290 - III. Adagio e staccato 01:10
08. Concerto No.2 in B flat major, HWV290 - IV. Allegro ma non presto 03:41
09. Concerto No.1 in G minor, HWV289 - I. Larghetto e staccato - Adagio 05:20
10. Concerto No.1 in G minor, HWV289 - II. Allegro 06:14
11. Concerto No.1 in G minor, HWV289 - III. Adagio 01:33
12. Concerto No.1 in G minor, HWV289 - IV. Andante 03:57
13. Concerto No.5 in F major, HWV293 - I. Improvvisazione - Larghetto 03:17
14. Concerto No.5 in F major, HWV293 - II. Allegro 02:32
15. Concerto No.5 in F major, HWV293 - III. Alla siciliana 01:33
16. Concerto No.5 in F major, HWV293 - IV. Presto 02:14
17. Concerto No.6 in B flat major, HWV294 - I. Andante allegro 04:24
18. Concerto No.6 in B flat major, HWV294 - II. Larghetto - Adagio 04:19
19. Concerto No.6 in B flat major, HWV294 - III. Allegro moderato 02:44
20. Concerto No.4 in F major, HWV292 - I. Allegro 03:45
21. Concerto No.4 in F major, HWV292 - II. Andante 05:55
22. Concerto No.4 in F major, HWV292 - III. Adagio 01:17
23. Concerto No.4 in F major, HWV292 - III. Adagio 03:25


Accademia Bizantina
Ottavio Dantone, solo organ & conductor
Stefano Montanari, violin
Marco Frezzato, cello

 For intimacy and brio, there’s Ottavio Dantone and the five musicians of Accademia Bizantina… Poised in the Siciliano of the E major concerto, merry in the Allegro of the A major, strikingly confident in the whirlwind Presto of the F minor and dazzling in the Italianate Adagio of the D minor, the ensemble is faultless” The Independent on Bach Harpsichord Concertos. This is the second disc in the new L’Oiseau Lyre partnership with Accademia Bizantina and Ottavio Dantone; it promises to be a stunning contribution to commemorate the Handel celebrations in 2009.

Full of characteristic melodies and sonorous harmonies, Handel’s organ concertos op. 4 were composed in 1735-36, when Handel was in his prime. It is the first time the Accademia Bizantina and Ottavio Dantone have recorded these famous Baroque works.


As a point of difference, in two of the six concertos, Dantone also performs a solo prelude (improvisation) before the beginning of the concerto, as Handel did in performances. Recorded in Halle, Handel’s birth place, in the Sankt Bartholomäus Church, the church where many members of the Handel family got married.



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Tuesday, March 1, 2011

Ottavio Dantone - Accademia Bizantina: Seicento Italiano


eac-rip: flac-img, cue, log, complete scans. rar, 3% rec.
1 CD - 361MB
ARTS - 2005 - 47707-2



The Accademia Bizantina was founded in 1983 in Ravenna and today is regarded as one of the most versatile and select ensembles using original instruments which are required for the Italian repertoire of the 17th and 18th century: stylistic accuracy, imaginative interpretation and technical perfection are the particular characteristics which are appreciated in the playing of the Accademia. 
The Accademia Bizantina has participated at all the important Italian and international concert series and festivals and has performed concerts in Austria, Denmark, France, Germany, Japan, England, Israel, Mexico, Holland, Switzerland, USA, Turkey and Hungary. Furthermore the ensemble has made numerous recordings for ARTS, Denon and RCA, as well as for radio and television broadcasting companies. 
Since January 1996 the Accademia Bizantina has been directed by its harpsichordist Ottavio Dantone.







Today there are still a lot of interesting facts that can be discovered in 16th century music. Ottavio Dantone and his ensemble Accademia Bizantina now have recorded a selection of this repertoire on historic instruments exclusively for ARTS MUSIC. Compositions from famous composers like Girolamo Frescobaldi or Johann Hieronymus Kapsberger are combined with works from rather forgotten artists like Giovanni Maria Trabaci and Andrea Falconiero.
Accademia Bizantina was founded in Ravenna in 1983 and at the beginning led by their own members. The entry of the harpsichord player Ottavio Dantone in the nineties brought about a change for the ensemble. The Accademia assigned the leadership to him and expanded its repertoire immensely. Today the Accademia Bizantina is one of the most important ensembles for historic practices. For their ARTS recordings they won notable international prices.




01. Kapsberger, Giovanni Girolamo (1580-1651) - Sinfonia XVII  02:07
02. Kapsberger, Giovanni Girolamo (1580-1651) - Corrente V 02:01
03. Kapsberger, Giovanni Girolamo (1580-1651) - Canzone I 05:14
04. Trabaci, Giovanni Maria (1575-1647) - Gagliarda I a quattro 01:15
05. Trabaci, Giovanni Maria (1575-1647) - Gagliarda III a quattro 01:54
06. Trabaci, Giovanni Maria (1575-1647) - Gagliarda IV a quattro 01:29
07. Frescobaldi, Girolamo (1583-1643) - Canzone VIII "L'Ambiziosa" 04:20
08. Falconieri, Andrea (1585-1656) - "L'Infanta Arcibizzarra" 04:45
09. Merula, Tarquinio (1595-1665) - Capriccio 02:42
10. Merula, Tarquinio (1595-1665) - Canzon "La Loda" 03:45
11. Marini, Biagio (c.1587-1663) - Aria a 3 "Da Soranza" 02:45
12. Castello, Dario (Early 17th century)  - Sonata II 05:44
13. Buonamente, Giovanni (c.1595-1642) - Sonata X 04:13
14. Marini, Biagio (c.1587-1663) - Passacalio a quattro 03:04
15. Kapsberger, Giovanni Girolamo (1580-1651) - Preludio XII 00:34
16. Picchi, Giovanni (fl.1600-1625) - Canzona IV 03:41
17. Storace, Bernardo (1637?-1707?) - Balletto per cembalo 02:07
18. Marini, Biagio (c.1587-1663) - Sonata I "Fuggi dolente core" 03:23
19. Castello, Dario (Early 17th century) - Sinfonia XV per Stromenti d'arco 05:25
20. Kapsberger, Giovanni Girolamo (1580-1651) - Preludio III 01:12
21. Trabaci, Giovanni Maria (1575-1647) - Consonanze stravaganti 02:44
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